Rachael Kiddey and Hilary Orange are hosting PubCHAT on 20:00 BST (21:00 SAST)Friday 23 October
Hilary Orange is hosting PubCHAT on 19:00 GMT (21:00 SAST)Friday 30 October
Join these social events and link up with people in Europe and Africa.
Come CHAT with us! PubCHATs are designed to be an informal way to meet other contemporary and historical archaeologists and to talk about life, research, and interests! There is no formal programme, so just show up with your favorite evening beverage or meal and be prepared to socialise. These PubCHATs are timed to be accessible for those located in Europe and Africa, but everybody is welcome! This is part of a series of three events being held in association with the Festival in different timezones (including the Americas and Asia/Oceania).
We will send out the Zoom link via the CHAT JiscMail (CONTEMP-HIST-ARCH@jiscmail.ac.uk) a few days before the event. You can sign up to join this mailing list HERE by clicking the ‘subscribe’ button.
Note: There is no official language for pubCHATs and while it is likely that many of those who come along speak English, we welcome speakers of all languages.
Meet the co-editors of the CHAT/BAR series on Tuesday 27 October 16:00-17:00 GMT
You’ve enjoyed the hustle and bustle of festivalCHAT…you’re tired and want to sit and chew the fat…take in the scene from the edge for a bit…You’ve had ideas percolating for years about exactly how contemporary and historical archaeology can contribute meaningfully to improved equality for all and global social justice.
Please, take a seat around the campfire and discuss your ideas with us. We have a cauldron of hot chocolate and a never-ending hip flask of single malt Scotch. Kick back and let’s reflect together, as the stars prick through the night-sky and the flames of possibility lick our toes…you’ve come to the right place.
About Studies in Contemporary and Historical Archaeology
Studies in Contemporary and Historical Archaeology is a series of edited and single authored volumes intended to make available current work on the archaeology of the recent and contemporary past in a timely fashion. The series is published as part of the British Archaeological Reports (BAR) series of monographs.
The series brings together contributions from academic historical archaeologists, professional archaeologists and practitioners from cognate disciplines who are engaged with archaeological material and practices. The series includes work from the traditions of historical and contemporary archaeology and material culture studies from Europe, North America, Australia and elsewhere around the world. It promotes innovative and creative approaches to later historical archaeology, showcasing this increasingly vibrant and global field, and celebrating its diversity, through extended and theoretically engaged case studies. The proceedings of CHAT conferences are normally published as part of joint or individual edited volumes in the series.
Live talk event Friday 23 October 18:00-19:30 BST (London); 13:00-14:30 (New York)
The ‘Made in Migration’ workshop was supposed to be a 5-day face-to-face community archaeology event held in Oxford. The event would have brought together 12 refugees from 8 countries, to work collaboratively with researchers, artists, a poet, an architect, and a film- maker but, sadly, Covid19 put pay to this. Forced to move everything online, as a transdisciplinary team, we spent three months reshaping the event so that it is now taking place over Zoom, as an ongoing series of fortnightly 3-hour online meetings. Aside from finding ways to meaningfully co-interpret data gathered over two years, we are working across 3 time-zones and 7 languages. The ‘Made in Migration’ team is multi-national, multi- generational, and of mixed gender, religious beliefs, and sexual orientation.
The initial project set out to blend established community archaeology research methods and practices with architectural spatial mapping techniques, creative writing and film-making, to reflect on the objects, places, journeys, people, and things which people encounter during lived experiences of forced displacement across three countries in Europe – the U.K., Greece, and Sweden. By the end of the 5-day intensive workshop, we intended to have co- designed the primary layout of a public exhibition.
Working remotely since March 2020, we have become a smaller collective. In this co- presented talk we share some of the reflective pieces of work that we’ve produced so far. They are works-in-progress – short films, unfinished maps and poems. We are open to respectful discussion about what works and what is less clear. We champion ‘arts-as- research activism’ – using material culture to advocate for better rights for refugees; to articulate what it is like to be ‘Made in Migration’.