SoundStage 30

It’s been a fabulous week here on SoundStage sending sonic tendrils out to you festivalCHAT goers. We hope you’ve discovered some new artists to tickle your ears (and eyes), sounds to excite you and sounds to soothe you. Maybe both even. At the same time. So without further ado, here’s the penultimate SoundStage, the scritchy scratchy sounds of…..

Jon Lloyd/Walthamstow Home Keyboard Laboratory – Unparalleled Sound Pressure

Compiled from dictaphone and digital field recordings and tape loops.

https://experimentalsoundart.bandcamp.com/track/unparalleled-sound-pressure-waterworks-festival

The pieces I produce are unashamedly broken, incomplete, imperfect.

They are created quickly, seeking to capture a moment.

Unparalleled Sound Pressure was an attempt to document an event that hadn’t happened, and subsequently, never happened; the controversial Waterworks Music Festival in London in 2020. The piece intended to predict an outcome, but instead stands as false testimony to an event that never transpired. It was a protest piece for a cause that was won only through pandemic intervention.

The Walthamstow Home Keyboard Laboratory, involves childrens’ home keyboards from the 1980s and 1990s. These are the toys of my youth, but they were things I never had and could never afford until they were for sale at carboot sales and charity shops. Except, this is a conceit, because I’m very middle class, and could probably have asked my parents to buy them for me. Many of the purchases I made in my twenties I subsequently sold and have since re-purchased at inflated collectors’ rates, from Ebay.

Nevertheless, I seek to accurately portray their sonic characteristics, without the luxuries of digital intervention or external effects. Tracks are improvised, sometimes echo-ing the equipment’s time-period in a broadly Hauntological fashion, and sometimes forging more abstract noise-based arrangements. The pieces flow and each layer follows the last. The tracks are presented chronologically as they were recorded – piecemeal, over a week or so – and demonstrate a level of development in my understanding of how to use them. They are a personal exploration of the material culture of my (perceived) youth.

Twitter: @homekeyboard

Bandcamp: Walthamstow Home Keyboard Laboratory

And now…..the SoundStage finale you’ve all been waiting for……the piece made by YOU….a big round of applause please………it’s……(keep that screaming down please!)…..it’s….

Postcards from All Edges

Arr. Dave Webb with Lara Band, Jobbe Wijnen, Laura Aish, John Tierney, Dan Lee, Antonia Thomas, Rachael Kiddey, Lawrence Northall, Ursula Frederick, Jacqui Mulville, Ben Philcox, Hilary Orange

Tiny sound pictures charting your journeys to #festivalCHAT2020: A front door in East London. Late night seagulls at Ramsgate Harbour circling the fishing boats. An echoey street in Gelderland, so noisy that every falling hairpin can be heard inside, listening to some radio, going outside, a family had just passed, and then a 1950 Mercedes car passed by.

A walk through overgrown graveyard in West Cork – Kilbrogan has one of the oldest ‘modern’ headstones in Ireland dating to 1623 – the mortuary monument appears to be Protestant and it represents the divided and contested landscape of the Bandon area since the town was founded in 1608.

The sea at Dingyshowe, Deerness. The beach is a tombolo between The East Mainland and Deerness (‘nearly an island’). This beach on the east side faces the North Sea. The tide was high, and the weather calm, and small waves were breaking over a small sand shelf at the top of the beach. Sometimes the waves would wash over to the top of the sand. Nearby is a large broch mound, hence the ‘howe’ placename of the beach. Willow and Bee, the kittens purring.

A calf mooing and a bit of owl, a windy and rainy old morning, near Dartmouth, south Devon, UK. Breakfast at Zest Cafe, Ramsgate. A trip for coffee in Canberra with the general bustle of birds, people walking past, hum of building sounds (electricity?). The River taff on a  morning run, CV19 defences. And a laptop falling off a desk….

Credits, Thanks + Shoutouts

festivalCHAT was brought to you by the CHAT Standing committee:

Dan Lee (Festival working group lead, website design)

Hilary Orange (Chair, Festival working group, web content editor)

Miriam Rothenberg (Festival working group)

Þóra Pétursdóttir (Festival working group)

Rebecca L. Hearne (Festival working group)

Jaime Almansa-Sánchez

Emma Dwyer

Rachael Kiddey

Nota Pantzou

Carolyn L. White

Jobbe Wijnen

Bill Caraher

Thanks to: Katy Whitaker (festival map), Sponsors (Archaeopress, SPMA)

Shout outs: All of the festivalCHAT contributors!

Pull Tab Archaeology World Typology Launch

Jobbe Wijnen (Netherlands)

In August 2018, archaeologist Jobbe Wijnen set out on a mission to create the first global archaeological reference collection, crowdsourced entirely through social media. Two years later and with the help of over 70 people, the Pull Tab Archaeology project presents Pull Tab Typology, ‘2.0 Woodstock edition‘, containing pull tabs, ring pulls and sta-tabs collected from over 30 countries by … you!

It has been an amazing journey so far. Starting from scratch, not knowing if anyone would really do it, we set a high bar: using the click-and-go mentality of Instagram, Facebook and Amazon, we asked people around the globe to do a whole lot more. “We can’t make a reference collection from pictures, you have to send us the tabs!” And to our amazement, people did get their envelopes and paper and sent tabs in, and often in large numbers too! After two years of nitty-gritty selecting and sorting, we are now ready to present our first big achievement here on this channel at festivalCHAT.

festivalCHAT visitors get a 15% discount if ordering before 9 November. Use discount code #CHATringpull

Click HERE for more ordering information.

Live worldwide launch Friday 30 October 15:30 GMT. Youtube premiere, with author available for discussion when viewed on Youtube or Facebook.