It’s been a fabulous week here on SoundStage sending sonic tendrils out to you festivalCHAT goers. We hope you’ve discovered some new artists to tickle your ears (and eyes), sounds to excite you and sounds to soothe you. Maybe both even. At the same time. So without further ado, here’s the penultimate SoundStage, the scritchy scratchy sounds of…..
Jon Lloyd/Walthamstow Home Keyboard Laboratory – Unparalleled Sound Pressure
Compiled from dictaphone and digital field recordings and tape loops.
The pieces I produce are unashamedly broken, incomplete, imperfect.
They are created quickly, seeking to capture a moment.
Unparalleled Sound Pressure was an attempt to document an event that hadn’t happened, and subsequently, never happened; the controversial Waterworks Music Festival in London in 2020. The piece intended to predict an outcome, but instead stands as false testimony to an event that never transpired. It was a protest piece for a cause that was won only through pandemic intervention.
The Walthamstow Home Keyboard Laboratory, involves childrens’ home keyboards from the 1980s and 1990s. These are the toys of my youth, but they were things I never had and could never afford until they were for sale at carboot sales and charity shops. Except, this is a conceit, because I’m very middle class, and could probably have asked my parents to buy them for me. Many of the purchases I made in my twenties I subsequently sold and have since re-purchased at inflated collectors’ rates, from Ebay.
Nevertheless, I seek to accurately portray their sonic characteristics, without the luxuries of digital intervention or external effects. Tracks are improvised, sometimes echo-ing the equipment’s time-period in a broadly Hauntological fashion, and sometimes forging more abstract noise-based arrangements. The pieces flow and each layer follows the last. The tracks are presented chronologically as they were recorded – piecemeal, over a week or so – and demonstrate a level of development in my understanding of how to use them. They are a personal exploration of the material culture of my (perceived) youth.
Bandcamp: Walthamstow Home Keyboard Laboratory
And now…..the SoundStage finale you’ve all been waiting for……the piece made by YOU….a big round of applause please………it’s……(keep that screaming down please!)…..it’s….
Postcards from All Edges
Arr. Dave Webb with Lara Band, Jobbe Wijnen, Laura Aish, John Tierney, Dan Lee, Antonia Thomas, Rachael Kiddey, Lawrence Northall, Ursula Frederick, Jacqui Mulville, Ben Philcox, Hilary Orange
Tiny sound pictures charting your journeys to #festivalCHAT2020: A front door in East London. Late night seagulls at Ramsgate Harbour circling the fishing boats. An echoey street in Gelderland, so noisy that every falling hairpin can be heard inside, listening to some radio, going outside, a family had just passed, and then a 1950 Mercedes car passed by.
A walk through overgrown graveyard in West Cork – Kilbrogan has one of the oldest ‘modern’ headstones in Ireland dating to 1623 – the mortuary monument appears to be Protestant and it represents the divided and contested landscape of the Bandon area since the town was founded in 1608.
The sea at Dingyshowe, Deerness. The beach is a tombolo between The East Mainland and Deerness (‘nearly an island’). This beach on the east side faces the North Sea. The tide was high, and the weather calm, and small waves were breaking over a small sand shelf at the top of the beach. Sometimes the waves would wash over to the top of the sand. Nearby is a large broch mound, hence the ‘howe’ placename of the beach. Willow and Bee, the kittens purring.
A calf mooing and a bit of owl, a windy and rainy old morning, near Dartmouth, south Devon, UK. Breakfast at Zest Cafe, Ramsgate. A trip for coffee in Canberra with the general bustle of birds, people walking past, hum of building sounds (electricity?). The River taff on a morning run, CV19 defences. And a laptop falling off a desk….