SoundStage 23

Testing testing 1 -2 1- 2 check check. More mic in the monitors please!

Hello and welcome to SoundStage. Over the week, every day, we’ll be here introducing soundstronauts, noise makers, musicians and sonic experimenters for all your aural pleasures.

First up the sweet sounds of Antwerp and Desert Kites; the latter accompanied with a visual delight for your eyes. Sit back, relax and open your ears… 

Antwerp – Kaons

Listen on Bandcamp

I often consider my music as audio-archeology: I want to push your ear-boundaries to listen to music from countries with an incredible history and culture. Music unites people. We all just look at the same sky. My world is everybody’s world and my music reflects this.

https://www.instagram.com/nicoantwerp Instagram: nicoantwerp

Desert Kites – Trace (Instrumental Remix) – Video by Zoë Crossland

Traces, signs, formations. Produced by the world around us and by the universe at large; acted on and remade by generations of people. These are the archives that archaeologists and others work with and within. Images through a microscope; pollen grains drifting through the scopic field; moments of focus and loss moving in and out of view.

Zoe Crossland is Associate Professor in the Department of Anthropology, and Director of the Center for Archaeology, at Columbia University, New York, USA. Desert Kites is a musician based in New York City.

SoundStage

A sound stage for festivalCHAT curated by Lara Band, Dave Webb and Lawrence Northall (UK)

Hello and welcome to SoundStage. Over the week, every day, we’ll be here introducing soundstronauts, noise makers, musicians and sonic experimenters for all your aural pleasures.

Follow the daily entries as they emerge here:

SoundStage 23

SoundStage 24

SoundStage 25

SoundStage 26

SoundStage 27

SoundStage 28

SoundStage 29

SoundStage 30

Original call for contributions

We’re putting out this call for you to either create something new or share a ready made sound piece. Your piece should be a response to place, space or materiality: You may also want to consider the special themes: Archaeologies of festivals; COVID-19 pandemic; Equality & Diversity; Decolonializing contemporary archaeology; Archaeologies of protest; Togetherness & Fragmentation; Drift.

If you’ve a piece you’d like featured, send us your bio and some words about the piece (max 300 words), a link* and an image (as a separate file named ‘artist name’.jpg) to soundstagechat@gmail.com. Include your social media @s too. We’ll organise submissions into themed sets – using your own words and image as the main texts of the blog. Every day during the week long festival the festivalCHAT website will release a blog with the set as suggested listening for the day.

*Sound pieces with accompanying film are also welcome but you must be able to host this yourself. We envisage that most of you will have your own Soundcloud, Bandcamp, webpage or similar but we can help you set up a free Soundcloud account if necessary.